Sunday, December 31, 2006

My Best of 2006

Hello Everyone.

Here are my 2 cents on best of lists. A disclaimer, I do not necessarily think these 10 albums are the "best albums musically" or anything like that, they are simply my favorite 10 albums, or the albums that did the most for me this year.

Here you go, if you want a specific album, just let me know and I will post it.

1) Phoenix-It’s Never Been Like That

2) OH NO! OH MY!-ST

3) The Stills-Without Feathers

4) Razorlight-ST

5) Peter, Bjorn and John-Writers Block

6) Murs and 9th Wonder-Murray’s Revenge

7) Beck-The Information

8) Band of Horses-Everything All The Time

9) Islands-Return to the Sea

10) Justin Timberlake-FutureSex/LoveSounds

Honorable Mentions:

1) Tokyo Police Club-A Lesson in Crime (This would be above, but it is only 16 minutes long)

2) Built To Spill-You in Reverse

3) Jarvis Cocker-Jarvis

4) The Magic Numbers-Those the Brokes (Out in the UK in 2006, USA is 2007)

5) Ratatat-Classics

6) The Decemberists-The Crane Wife

7) Ghostland Observatory-Paparazzi Lightning

8) The Whitest Boy Alive-Dreams

9) Lupe Fiasco-Food and Liquor

10) Guillemots-Through the Window Pane

11) I Love You But I’ve Chosen Darkness-Fear Is On Our Side

12) Voxtrot -3 EP’s

13) Maritime-We The Vehicles

14) Ghostface Killah-Fishscales

15) The Kooks-Inside In/Inside Out

And if you care, my favorite movies of 2006 are:

1) CHILDREN OF MEN
2) BRICK
3) UNITED 93
4) BORAT
5) JACKASS 2 (Yes, seriously)


Films I have not seen yet but expect them to be on this lists are: The Departed, Pan's Labyrinth, Half Nelson, Babel...many more, I see to many movies for work so I don't get out that much if they are not a Universal flick.

Explosions in the Sky - All of a Sudden I Miss Everyone

Post-rock, or music for your New Year's Day hangover. Enjoy.

Friday, December 29, 2006

Year of the Dog - 10 Songs from 2006

Similar to my previous post listing my favorite albums of 2006, here are some my favorite songs of the year. This was a tough list to create since I kept it to only 10 songs. But this list reflects those songs that caught my ear and stayed there. I've uploaded the playlist for those of you that don't already have these tunes. Enjoy.

1. The Great Salt Lake | Band Of Horses
2. Chinese Translation | M. Ward
3. Rabbit Fur Coat | Jenny Lewis with The Watson Twins
4. John Saw That Number | Neko Case
5. Born In The U.K. | Badly Drawn Boy
6. Bush-League Psych-Out Stuff | P.O.S.
7. Original King | Brother Ali
8. Get Your Curse | His Name Is Alive
9. Clogged Castle | BOAT
10. Do You Believe In Rapture? | Sonic Youth

Tuesday, December 26, 2006

The Beatles - Love



Ever wondered what classic Beatles tunes would sound like if they where in the hands of someone with ProTools? Well no need to lie awake at night and wonder, the result is Love. This is a remix of classic songs by the Beatles (from the original 4 track recordings) by George Martin and his son Giles Martin. This was done for the Cirque du Soleil Vegas show of the same name. Sounds like it would be a load of crap, right? Sounds like it could be like that Billy Joel musical, or heaven forbid the Bob Dylan one.

Suprisingly it is not as bad as you would think. Love has a big thing going for it, it is the original Beatle music, and producers that are familiar and love the original material

I enjoyed the album, it never got too "clever." Beatle songs are like the U.S. Constitution. Either you feel that they way they are record is the way they should remain for the end of time and should not be f'd with or you feel that they can be changed and evolve with the times. I as with the constitution fall some where in the middle. Beatle songs where close to perfect when they were recorded and in an essence timeless, this is why there are so many bad Beatle covers (G Love's Blackbird and most of the I am Sam soundtrack). Now the timelssness of their songs make it so adaptable to change (ie Rufus Wainwright Across the Universe). When it is done with care and respect it can make something magical.

Love is close to magical. Giles intertwines several classic Beatle tunes to make a swirling sonic experience that continues to make the listener think about what they are hearing but also of the original tunes. Unfortunately this is a gimmick and with all gimmicks I can see it getting old really fast. Love will not be a lasting album in the Beatle's pantheon of great records, but an interesting footnote in their ever expanding mythology.

All Songs Considered recently did a show that interviewed Giles Martin and talked extensively about the record and the project. If you are interested I would suggest downloading their podcast on it. If you don't subscribe to their podcast you should because it is really good.

I have included the art work from the album for you reading pleasure.

***This post updated while listening to Rufus Wainwright, no particular album but just some songs by him.***

Monday, December 25, 2006

Low - Drums and Guns

I was first introduced to Low by Greg who gave me a copy of their 2001 release, Things We Lost in the Fire. It took a very long time for the album to sink in. For some reason I didn't get it at the time. But one day it clicked, and now Low is one of my favorite bands currently recording. Granted their live shows are as slow and tedious as you might imagine, but if you are familiar with their music, seeing them live can be an impressive experience.

I am very happy to share their upcoming release, Drums and Guns. On first listen, this album is every bit as good as last year's, The Great Destroyer. If you've seen Low live this past year, you will most likely recognize several of the songs which have been reworked for this album. There is a stunning version of Murderer which has been a staple at live shows recently. Producer Dave Fridmann, who also helped on The Great Destroyer, joins Alan Sparhawk and Mimi Parker once again to hone Low's haunting sound. Zak Sally has apparently been replaced by bassist Matt Livingston, both in the studio and at live shows. Drums and Guns is haunting and terrifying both in lyrics and tone. Apparently, Alan has gone through some dark times recently and these songs are the result. Drums and Guns is scheduled for release on March 20, 2007.

Enjoy.

Friday, December 22, 2006

A Christmas Gift from David Gilmour


It's the long-awaited impromptu acoustic rendition of David Gilmour playing Syd Barrett's Dark Globe. He premiered it at the Clam Castle show in Austria last summer, without even having played it at the soundcheck or having rehearsed it! The performance was so emotional, the entire band and crew spontaneously applauded when he finished.

Also posted is an Arnold Layne video of David Gilmore, Rick Wright, David Bowie, and band performing a great early Pink Floyd song that Syd wrote.

David Gilmour | On An Island

Merry Christmas











Happy Christmas (War is Over) | John Lennon
Ding Dong Ding Dong | George Harrison
Father Christmas | Kinks
A Christmas Song | Jethro Tull
Little Drummer Boy/Silent Night | Jimi Hendrix
Blue Christmas | Elvis Presley
Santa Baby | Marilyn Monroe
I'm Dreaming of a White Christmas | Bing Crosby
Linus and Lucy | Vince Guaraldi Trio
Hanukkah Song 1 | Adam Sandler
Christmas Parodies | Jimmy Fallon

Ho Ho Ho! It is Christmas Time!


So I got two little presents for all of you. First of which is a little Christmas mix I put together. It is reminiscent of the "card" I sent in 2003. Here is the Track listing:

1. Snowflake Music - Mark Mothersbaugh
2. Welcome Christmas - Dr. Suess
3. Christmastime is Here (Instrumental) - Vince Guaraldi Trio
4. I Saw Three Ships - Darol Anger
5. Love Came Down at Christmas - Shawn Colvin
6. Christmas Is Near - Dr. Ralph Stanley
7. Winter Weather - Benny Goodman & His Orchestra
8. Jingle Bells - Frank Sinatra
9. White Christmas - Esquivel
10. You're A Mean One Mr. Grinch - Aimee Mann
11. Zat You Santa Claus - Louis Armstrong
12. Santa Claus - They Might Be Giants
13. Silent Night - Johnny Cash
14. Joy To the World - Eef Barzelay
15. I Love NYE - Badly Drawn Boy
16. Careless Santa - Mono Puff
17. welcome christmas (reprise) - califone

Also as a bonus I have put up "The Night Before Christmas" as read by Bob Dylan. It is wonderful. Enjoy and have a Merry Christmas.

Thursday, December 21, 2006

Midlake - The Trails of Van Occupanther

I'm sure there are more than a few great new albums that I missed this year. I missed this one when it was released and almost avoided it completely because the first review I read of this album compared Midlake to Fleet Wood Mac. I do not like Fleet Wood Mac, but I'll let you decide for yourself if the comparison is valid. So, after hearing the single, Young Bride, I decided to give this album a chance. I'm glad I did. If you haven't heard The Trails of Van Occupanther yet, it's worth the download if only for the opening track, Roscoe, and the aforementioned single. Although, the remainder stands up very well as a complete album. Enjoy and happy Christmases.

Friday, December 15, 2006

The Shins — Wincing The Night Away

Here is the much talked about leak of their upcoming album. There are lots of tight catchy pop songs with ambitious melodies. The Shins have a certain sound and are sticking with it.

Sunday, December 10, 2006

Ultramagnetc MC's

Sam's recent post and Hartzell's constant reminders have inspired me to add some more influential hip-hop to the scene. Ultramagnetic MC's came out of the Bronx block parties of the 80's sounding like no other group around. Apparently the first group to use a sampler as a live instrument and the first to trust a former psychiatric patient with the mic. Kool Keith's unconventional lyrics and timing along with Mo Luv's danceable break-beats and experimental sound make Ultramagnetic a group that can't be ignored. Their first and best release, Critical Beatdown, may sound dated now but in 1988 it took underground hip-hop by storm.

I'm also offering up Ultra's first studio release in 11-years. Due out in 2007, I was hoping it would remind me of what influenced the underground scene in the 80's and 90's. Unfortunately, it come across as dated and the lyrics forced. There is nothing fresh here. But I offer it up anyway at Sam's request.

Enjoy.

Friday, December 01, 2006

The Who - Odds & Sods

I am also posting The Who "Odds and Sods" a collection of unreleased material, rarities, and outtakes released in 1974. It is a quirky collection of songs that are fun to listen to. Enjoy

The Who - Endless Wire

"Endless Wire" is the first new studio album/original material by The Who in twenty-four years. If you are a Who fan give it a listen. At one time in my life their music spoke to me. It had the right mixture of aggressive rhythms, wild drumming, great base lines, and of course angst lyrics. What more does a young adolescence male need?

Thursday, November 30, 2006

The second part of my Birthday gift to all of you, goes along with the Best of 2006.

My personal favorite album of 2006 is still PHOENIX-It's Never Been Like That.

My second favorite album is this, PETER BJORN AND JOHN-Writers Block.

You may have heard the ridiculous first single, Young Folks, with the addictive whistled opening, and chorus that will gladly stay in your head for weeks. Easily my vote for Best Song of 2006, by such a long distance, I can't even think of number 2. (Although it is Long Distance Call by Phoenix)

This album is so amazing, you may have to check your pants, pinch yourself, or simply wipe the tears away from your face. Seriously though, I don't want to build it up anymore.

Please just download it, listen to it, love it, and pass it off to people. Oh, and do it quick because the rumor is that Coke or Budweiser just bought the rites to Young Folks, and Grey's Anatomy already played it during one of their episodes.

I don't want to write about what it sounds like or anything clever or not so clever about it. It truly just deserves a listen from beginning to end, and you will be hooked.

I seriously believe that after the first and second listen, it could end up on many of your Best of 2006 lists. (Don't get me wrong, I love Badly Drawn Boy more than the next guy, but this album makes Born in the UK look like the latest release from Danity Kane)

The Magic Numbers-Those the Brokes


Hello Everyone,

Today is my birthday and I am feeling like giving things to other people.

My first gift to you all is the AMAZING new album from British brothers and sisters, THE MAGIC NUMBERS-THOSE THE BROKES.

This is their second album, and criminally does not come out in the U.S until February or March.

With sounds rooted in the 60's harmonies of beach pop, as well as modern Brit Pop and the lovingly titled Twee movement, THE MAGIC NUMBERS craft excellent pop songs that both move you and tickle and love bone. God, I am so cheesy sometimes.

Comprised of 2 sets of brothers and sisters, with simple pop harmonies and lyrics about love and joy and relationships, this is a perfect companion album to a bad day, a new girlfriend, a break-up, a long drive, a first date, a horrible Bears loss to the Vikings, or simply during the day in the office.

Happy Birthday from Me to all of you!!

How Cold Can Coldcut Get?



Coldcut is the seminal UK hip-hop production team of Jonathan More and Matt Black, a team that can be credited as much as anyone with advancing the hip-hop scene on British shores. Their style tends toward urban breaks, ambient dub, and jungle music, and anyone familiar with Ninja Tune Records can thank these two blokes: they started the label on the success of their early bootleg EPs.

What I've posted here is one of my favorite mixes, "70 Minutes of Madness", compiled by Coldcut as part of the Journeys by DJ series in 1995. Check the way they throw down the hilarious/bad-ass Kung-Fu film dialog in the beginning, move effortlessly into dub/reggae, slide over into urban breaks ("do you like scratchin'?"), and throw down some absolutely sick mixes. Nearly every important hip-hop break is represented on this mix at some point (the ubiquitous Stubblefield break, the Zeppelin break, an Eddie Bo break), as well as a lot of hip-hop artists like Mantronix (dig how they drop just a few moments of "King of the Beats" halfway through).

For hip-hop heads, this thing is geeky fun. The production is pretty slick, totally sick, and for an 11-year-old mix, remarkably fresh. Enjoy!

Posted while listening to Change (Makes You Want to Hustle) by Donald Byrd

Wednesday, November 29, 2006

a holler for some songs

Hey, does anyone still have that singles mix I posted a few weeks ago? I accidentally deleted some of the songs from my hard drive, and I NEED THOSE SONGS.

If someone could re-post, that would be tits.

EDIT: The relevant blog post is here

Tuesday, November 28, 2006

The Current's Top 89 of 2006

I Voted in 89.3 The Current's Top 89 Albums of 2006

This is the time of year when music professionals and fans alike start compiling lists of their favorite releases of the past year. While I think these lists are a bit silly and pretentious, it's still fun to look back over the past year and remember what caught your ear. I know I have an iTunes playlist dedicated to this task. So, Minnesota Public Radio's very own, 89.3 The Current, is asking it's listeners to pick their top albums out of more than 700 that debuted on air in 2006. If anything, it's chance to throw your name in the hat for a new iPod.

Here's the list I came up with. See how important I am?

P.O.S. | Audition
Badly Drawn Boy | Born In The U.K.
The Decemberists | The Crane Wife
DeVotchka | Curse Your Little Heart
His Name is Alive | Detrola
Band of Horses | Everything All the Time
Neko Case | Fox Confessor Brings the Flood
Cat Power | The Greatest
The Roots | Game Theory
Belle & Sebastian | The Life Pursuit
Bonnie 'Prince' Billy | The Letting Go
Mr. Lif | Mo' Mega
Murs & 9th Wonder | Murray's Revenge
M. Ward | Post-War
Califone | Roots & Crowns
Jenny Lewis & the Watson Twins | Rabbit Fur Coat
Sonic Youth | Rather Ripped
TV On The Radio | Return To Cookie Mountain
Boat | Songs That You Might Not Like
Wolfmother | Wolfmother

Sunday, November 26, 2006

Gob Iron - Death Songs for the Living


While not the Will Arnet inspired Banana Grabber death metal opus I was hoping for, Gob Iron is an interesting piece of music. Gob Iron is a UK slang for harmonica. and the band is a collaboration between Son Volt front man Jay Farrar and Varaline multi-instrumentalist Andres Parker.

Death Songs for the Living is album composed of folk tunes, are reworked to the duo's own stylistic musings. Where the music is not much of a departure from Farrar's work with Son Volt and Uncle Tupelo the album is interesting a quite good. The album could be best described as close cousin to that of Tupelo's March 18-20, 1992. Farrar playing the part of, well Jay Farrar, and Anders playing Jeff Tweedy. Both adding their own finger prints on each of the songs. The biggest complaint is that Anders doesn't play a bigger role vocally on the album. Anders voice sounds like a young Billy Bragg and is a bit fresh (at least to my ears) then Farrar's lazy pseudo-southern drawl.

Highlights on the album on are, "Hard Times," "Hills of Mexico," and "Death is Only a Dream."

***This post updated while watching Boston Legal***

Monday, November 20, 2006

Jay Bennett - The Magnificent Defeat


I while back I posted something and mentioned that I was listening to Jay Bennett's The Magnificent Defeat. Klein freaked and wanted to have the album. Now, it took me awhile, but here it is for Klein and the rest of you. But before I you go and download it let me give you my two cents, which inevitably will become a dollar you didn't ask for.

Jay Bennett got his first musical chops while in Titanic Love Affair. TLA was a middling power pop group from Urbana IL. Think Mudhoney without the Seattle Sound. Nothing special. Jay toiled in this band as well as Steve Pride and His Blood Kin. Jay's real talent was found in producing and engineering. He also taught Math. Jay engineered albums for low end alt country acts such as Tim Easton, Allison Moorer, and Sheryl Crow. His relationship with Allison Moorer eventually brought him to the notice of Jeff Tweedy of Wilco. Jeff brought Jay on to Wilco as a touring member for AM. Jay was made a full member while recording the fantastic Being There. Jay played everything under the sun on that record. This would eventually become Jay's m.o. multi-instrumentalist.

Jeff found a unique writing partner in Jay. Jay was also the driving force behind the groups collaboration with English troubadour Billy Bragg on the Mermaid Avenue Records. Jeff and Jay's most fruitful collaboration was 1999's Summerteeth. It was Jay's crowning achievement in Wilco. He was able to put his stamp of a Beach Boy's-esqe harmonies and arrangments. Jeff really needed Jay and Jay needed Jeff. They worked well as a writing/producing team. 2001 brought about Yankee Hotel Foxtrot. And well if you have not seen Sam Jones' documentary "I Am Trying To Break Your Heart," about the making of that record, I cannot do the story justice. My suggestion is that you rent it. The short of is Jay left the band under dubious circumstances. "A circle can only have one center."

Jay was now free to do what he wanted. His first forary into solo music is to team up with a long time friend, Edward Burch and recorded the modest The Palace at 4 am and Palace 1919. The songs where great, a mix of stuff he and Jeff wrote but did not record for YHF, the Mermaid Avenue sessions and others.

Jay then went off on his own with the Ryan Adam's-esqe task of recording three albums in one year. First of which was Bigger Then Blue. Jay's second album The Beloved Enemy came out just 6 months later. Of course, marriage, divorce, and producing an album for Blues Traveler can put a cramp in anyone's plans. The third of the trilogy did not come out in 2006.

That brings us to this point. The Magnificent Defeat is a mess of an album. Apparently is culled from 70 + songs. It never finds it voice, it jumps from style to style with no reason to do so. Also the production is short of terrible. Jay, who is so enamored with the fact that he can play 50 instruments feels as though he should play them on every song. With several effects and vocal changes thrown in their for good measure. The album feels like someone who has discovered Pro-tools for the first time. The album is overindulgent and pretenious. With that being said there are some great songs on it. The opener "Slow Beautiful, Seconds Faster" is what is right and wrong about this album. "5th Grade" is what is right about song writing. "I Feel Fine" reminds us about why we fell in Love with Big Star and the like. The album is worth a listen, maybe a couple if you are big Summerteeth fan. Enjoy.


***This post updated while listening to Amiee Mann's I'm with Stupid***

Saturday, November 18, 2006

Ryan Adams - Cardinal Radio


What happens when one of the most prolific songwriters of the last 5 years realizes that he can record music cheaply and get them out to the masses via the internet? The result is Ryan Adams' "Cardinal Radio". This online "radio station" consists of 8 Albums that Mr. Adams recorded under various pseudoyms such as DJ Reggie, The Shit, and WereWolph. Each band has its own unique style, from Hillbilly Punk to odd electronica. I feel most of it is unlistenable, but there are a few good nuggets mixed in there. I think Adams is doing this just becasue he can, and he knows people will listen and talk about him (like I am doing).

Adams' other albums are there as well for you to enjoy, if you are not familiar with his music check those out as well. I really like Ryan Adams with no real reason to do so. I think he is a great song writer, especially if you are into songs about women screwing you over. Or songs that sound like the Dead (Cold Roses) or the Replacements (Love is Hell). The problem is that he thinks he is the greatest songwriter ever and everything he puts out is awesome. Unfortunatly about 1/3 of it is fabulous and 1/3 is ok, and the last well is just not. I wish he would slow down and not put out some many albums and concentrate on putting out an album that is truly great. He has it in him. Plus he is looking more and more like a strung out Harry Potter, which is always cool.

Love Ryan Admas or hate him, he is doing some interesting things with music putting out what he wants. Pure Egotism, maybe? Genius? Time will tell. Interesting, yes.

***this post updated while listening to Katie sing lullabyes to Burke***

Monday, November 13, 2006

Right or Wrong?


Of all of the albums covered out there in the big bad world, not many artists have had the cullions to remake a masterpiece. Could anything be more dangerous to a musical career than to turn The Wall into a bluegrass album? Enter Luther Wright and the Wrongs.

I give to you the timeless clasic, only this time with a side of madolin, banjo and pedel steel.

Saturday, November 11, 2006

Of Montreal - Hissing Fauna, Are You the Destroyer?

Of Montreal's newest album, Hissing Fauna, Are You the Destroyer?, continues the journey with Kevin Barnes into euphoric synth-pop. Although this album is scheduled to be release in the first month of 2007, it could easily have been released in 1977. Parallels with prog-rock experimental artists of the 70's and 80's is uncanny. I've only listened to this album once through, so I pass it along to you without judgement, except to say that the album's longest track, The Past Is A Grotesque Animal, is terrifying. Enjoy.

Thursday, November 09, 2006

Sean Lennon - Friendly Fire

If you are a Beatles fan give this album a listen. Throughout the album there are Beatles-esque, whimsy, simple, and melancholy melodies. It has grown on me. Tracks 1 and 10 are good.

Tuesday, November 07, 2006

Ghostland Observatory-Paparazzi Lightning


Thought I would post a little upbeat dancing tunes for this here Tuesday, the voting day.

The band is not political, just excellent.

They hail from Austin, Texas, and are comprised of a 2 friends, one with pig-tails who sings oh so heavenly, and the other who usually wears a cape, and makes the beats with his computer. Check out their Myspace page for more. www.myspace.com/ghostlandobservatory

The music is on par with The Rapture, but you can tell very distinct differences. I actually prefer the two Ghostland albums to the new Rapture.

Sad Sad City may be one of my Top Five songs of the year.

I know they recently played 7th St for all you MPLS peeps, but if you get a chance to see them again, go go go go go.

Thursday, November 02, 2006

Whitest Boy Alive- Dreams


It's FINALLY here. Sorry for the delay, it is well worth it.

This is the sideproject of Erlend Oye, of Kings of Convenience fame. The band is comprised of Erlend and 2 of his friends. It was concieved in the same way The Postal Service came to be; where Erlend and his friends were commisioned to write a song for a compilation (Jimmy Tamborello and Ben Gibbard made a track for DNTEL, called This is the Dream of Evan and Chan, HIGHLY RECOMMENDED FOR FANS).

Well, The Whitest Boy Alive liked what they heard and decided to record and album. It is similar in tone to Kings of Convenience, but is has a more upbeat, dance tune to it.

Despite the succes of Whitest..., Erlend promises another go around for Kings in the near future.

Dreams is a complex album, that goes from airy pop, to harmonizing twee, to techno sugar pop.

John Lennon - Plastic Ono Band

Lennon told Jann Wenner, founder of Rolling Stone Magazine: "The poetry on this album is superior to anything I've ever done because it's not self-conscious...." Of the equally minimalistic music he said: "I always liked simple rock.... I was influenced by acid and got psychedelic like the whole generation... but when you just listen, the piano does it all for you, your mind can do the rest.... I don't need anything else."

Wednesday, November 01, 2006

Singles

Singles are the best. They're the first music I ever latched onto, when I found my parents' box of 45s. It's not big, and there are deeper collections out there. But there's some Motown, Stax, a mess of Capitol & RCA, and Leslie Gore. I've toyed with the "album", but I'll always favor pop singles. These are some of my favorites.

1. Mississippi Delta - Bobbie Gentry: She left a ton of great singles, and I think this is a great soul banger. If you're ever at Half-Price Books and can cop some Bobbie, do it.

2. Hard Times - Baby Huey: This came from Curtom, Curtis Mayfield's label. Baby Huey was an enormous Chicago dude who died of a heart attack at 26. Another great soul tune.

3. Independent Women - Destiny's Child (remix by 2 many dj's): I swear the only thing holding back soul and R&B these days is lousy production. This remix - actually a mashup with 10CC - gets everything right about Beyoncé. The vocal performance is lightning, but the original's flat production drags it down and masks a superior tune waiting to get out.

4. Lover & A Friend - Eddie Bo & Inez Cheatham: Super-catchy funk, complete with tremendous breaks. Eddie Bo is a total god, and probably my favorite singles artist.

5. (Runaway) I Wouldn't Change a Thing - Coke Escovedo: This is AM Gold, great pop from the 70s. Again, a very generous break, and terribly catchy.

6. Doomsday - MF DOOM: First, he crafts a hip-hop alter-ego based on Dr. Doom. Next, he samples Anita Baker.

7. My 2600 - Captain Funkaho: The genius of this cut is that it manages to use the bad cliches from three full decades of music. It's weird and goofy, and totally bad. But it's from Stones Throw, so it's got to be good, right?

8. Mama Roux - Dr. John: Great tune, back when the Doctor mattered.

9. Our Happiness Is Guaranteed - Quasi: My friend John turned me on to Sam Coomes and his two-person band. You should really check out "Featuring Birds", as it's pretty much a solid pop records loaded with singles. I love the thunderous drums throughout, and how the dystopic sci-fi lyrics go down so sweet.

10. Check Your Bucket - Eddie Bo: "There's a Hole in the Bucket" re-done in sexual terms (or maybe the themes are just made more explicit). Another big winner by Eddie.

11. Honky Tonk Women - Rolling Stones: It rocks out hard, and has a nice break at the beginning - big ups to Charlie Watts.

12. Hard to Handle - Otis Redding: Like me, you probably only knew the Black Crowes version. Otis Redding might be the best male soul singer who ever lived.

13. The Mexican - Babe Ruth: Would you believe me if I said they rocked this at block parties in the Boogie Down in '80? Strange how British prog rock is present at the birth of hip-hop.

14. Like a Rolling Stone - Bob Dylan: I figured everyone had this, but this mix is about pop singles, and this is likely the best single ever.

15. Where Is Love - Eldridge Holmes: Tough to follow Dylan, so something short and to the point. I like that this song goes all over the place in less than two minutes, but you never feel lost.

Tuesday, October 31, 2006

Getz/Gilberto - Vol. 1 & 2

Reviews from Amazon.com
Vol. # 1, Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist João Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of "Desafinado." Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's "cool" aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic.

Vol # 2, This live follow-up to the surprise blockbuster Getz/Gilberto was inevitable. Interestingly, the original LP release of the October 1964 Carnegie Hall concert focused on separate sets by Getz's quartet (featuring vibist Gary Burton) and Gilberto's trio: each is as meditative and sweetly melancholic as you'd expect.

Monday, October 30, 2006

Pavement, Live at the Palace, Hollywood, April 24, 1994

Matador has been giving us gold in the form of their Pavement reissues. If you are a fan, you need to go out to Cheapo, Amoeba, InSound, whatever and buy them right away. Slanted and Enchanted, being the greatest album of the 90's or just a great Pavement album, is fantastic in the reissue. The packaging, extra songs, quality of recording, just great. Crooked Rain, my personal favorite, has never been better.

So Matador is again giving us a reason to buy albums, and is releasing the seminal Pavement album, Wowee Zowee, on November 7th, calling it the Sordid Sentinels edition. It is jam packed with bonus songs, b-sides, demo's, live, you name it.

They had a great pre-order program with the album where you get a 7", fold out poster, and upon pre-ordering, access to this here live show from Los Angeles. The show was right before Zowee came out and shows Malkmus and Spiral and Crew testing out the new tracks.

Excellence!!!!!

Pussy Cats

I've posted both albums, but I'll let allmusic do the talking.

The relationship between Harry Nilsson and John Lennon is legendary. They were notorious booze hounds and carousers, getting kicked out of clubs for misbehavior and generally terrorizing L.A. during Lennon's "lost weekend" of 1974. They wanted to make an album together -- hell, anyone working at such a peak would -- and the result was Pussy Cats, a Nilsson album produced by Lennon. Almost immediately, Nilsson got sick, resulting in a ruptured vocal cord. Not wanting Lennon to stop the sessions, Nilsson never told his friend, stubbornly working his way through the sessions until he lost his voice entirely. These are the sessions that make up Pussy Cats, an utterly bewildering record that's more baffling than entertaining. Like many superstar projects of its time, this is studded with contributions from friends and studio musicians, all intent on having a good time in the studio -- which usually means hammering out rock & roll oldies. In this case, it meant both Dylan's "Subterranean Homesick Blues" and the children's song "Loop de Loop," which gives a good idea where Nilsson was at. Through its messiness, Pussy Cats winds up showing how he and Lennon violently careened between hedonism and self-loathing. Of the new songs, the inadvertently revealing "All My Life" is the strongest, followed by the sweet "Don't Forget Me," yet this is more about tone than substance. It's about hearing Nilsson's voice getting progressively harsher, as the backing remains appealingly professional and slick. It doesn't quite jibe, and it's certainly incoherent, but that's its charm. It may not be as wild as the lost weekend itself, but it couldn't have been recorded at any other time and remains a fascinating aural snapshot of the early days of 1974.

Remaking an entire album -- especially one as rooted in mood and the performers involved as Harry Nilsson's Pussy Cats -- seems about as wise an idea as Gus Van Sant's shot-by-shot remake of Psycho. Fortunately, the Walkmen's song-by-song redo of Pussy Cats doesn't come off as a half-baked technical exercise. The band remains loyal to the rambling feel of the original (which, to be fair, was half covers itself) and the results are as intimate as an in-joke between old friends. The Walkmen recorded this album concurrently with A Hundred Miles Off and were getting ready to shut down their Marcata Studio; while it's not exactly the months-long "lost weekend" that Nilsson and John Lennon embarked on in early 1974, Hamilton Leithauser and crew give off a similarly rumpled, tweedy, maybe too smart for their own good vibe as Nilsson did, and invite a bunch of friends, including Ian Svenonius and Mazarin's Quentin Stoltzfus, to help them send Marcata off. Interestingly, one of the stronger moments on A Hundred Miles Off was the band's cover of Mazarin's "Another One Goes By," so the spirit of having fun interpreting other people's music was already flowing by the time they approached Pussy Cats. And while the band's versions of these songs aren't much different than the originals, they do them well: Svenonius' cameo on "Subterranean Homesick Blues" helps make it a goofy highlight, along with Stolzfus' collaboration on "Mucho Mongo/Mt. Elga," which with its tropical percussion and shimmering organs, seems to have been a big influence on A Hundred Miles Off. Likewise, Pussy Cats' rare moody moments, "Don't Forget Me" and "Black Sails," are also perfect fits for the band's sound. A little messier than its inspiration but with the same freewheeling spirit, the Walkmen's Pussy Cats feels like a musical wake, rooted in just having fun making music with friends.

Enjoy.

Saturday, October 28, 2006

Haunted Mix Tape

In honor of the impending Devil's Night, I've created a Halloween-themed mix. These 13 tracks remind me of Halloween for one reason or another. I've included the XML file so you can keep the playlist order. After you import the tracks to iTunes, go to File > Import… and select the XML file.

01. Incanatrix - Jedi Mind Tricks
02. Tonight the Monkey Dies - Low
03. Do They Know It's Halloween? (Radio Edit) - North American Halloween Prevention Initiative
04. Halfsharkalligatorhalfman - Dr. Octagon
05. This Devil's Workday - Modest Mouse
06. Monsters - The Boy Least Likely To
07. The Boogie Monster - Gnarls Barkley
08. Vampires - Atmosphere
09. They Are Night Zombies!! - Sufjan Stevens
10. The Ghost - I Love You But I've Chosen Darkness
11. Dracula - Gorillaz
12. The Killing Moon - Echo & The Bunnymen
13. Blood Embrace - Matt Sweeny & Bonnie 'Prince' Billy

I've convinced my wife to dress up as Tenacious D with me for Halloween. What are you going as?

Friday, October 27, 2006

Taking a vote

Hi Everyone, longtime reader, firsttime writer...

I used to work with Kyle in MPLS, but then moved to LA to further my acting career. Okay, that was a j0ke.

So I have a ton of new music I have been obsessed with and wanted to take a vote from you guys as to what I should post about first.

Let me know which of the following you are most interested in:

Peter, Bjorn and John-Writers Block
The Whitest Boy Alive- Dreams
The Kooks-Inside In Inside Out
Oh No! Oh My!
Tokyo Police Club
Ghostland Observatory-DeleteDeleteIEatMeat
Get Cape. Wear Cape. Fly-Chronicles of a Bohemian Teenager
I'm From Barcelona-Let Me Introduce My Friends

Tuesday, October 24, 2006

I found Harry Smith

If anyone is interested-Harry Smith, the folk, blues, ect. music collector guy is a member at LaLa. You can view his LaLa page at
http://www.lala.com/frontend/action/karma?userToken=55392@10157

Seu Jorge - The Life Aquatic Sessions


Seu Jorge is a Brazilian musician who is known for his work renewing the interest samba. His popularity has never moved much past his native Brazil, but his work was featured in the films City of God and The Life Aquatic with Steve Zissou. It is the second movie that brought him to my attention. Seu had a bit part in Wes Anderson's fantastic character study, as a deck hand/sound man with Steve Zissou's crew. The movie is just short of fantastic. Fantastic being Rushmore. It is probably my second favorite Wes Anderson film. I thought it really expressed the theme of fatherhood and what it means to be father and son and that realationship. It was dark, but not overly morose like The Royal Tennebaums. It kept the essence of the ensamble cast but narrowed its focus on Steve and Ned, rather then the meandering as The Royal Tennebaums. I know I am probably in the minority of with my love of The Life Aquatic, but hey deal with it.

Seu Jorge did most of the soundtrack for The Life Aquatic, it is comprised of sweet acoustic music, enhancing Seu's deep timber. Did I mention that all of Seu Jorge's songs on The Life Aquatic soundtrack are all David Bowie covers. Yes the Thin White Duke, being covered by samba musician who speaks and sings in nothing but Portuguese. It is suprisinly good. Seu strips the songs to their essence and brings out the qualities of the music. It is what a good cover/tribute album should be. The idea of the original music is there but the artist makes it their own. Seu does a wonderful job.

The uploaded album is not the soundtrack rather the studio sessions that Wes Anderson had Seu Jorge record for the album. Only five songs make the soundtrack. On the The Life Aquatic Sessions there are 13 Bowie songs and one original composition (Team Zissou). If you are fan of Bowie or not, you will enjoy this album. Highlites on the album are Life on Mars, Changes, and Queen Bitch.

Enjoy

This post updated while listening to The Maginificant Defeat by Jay Bennett

Beck-The Information



Beck's new album The Information.

Monday, October 23, 2006

Atlanta Rock n Roll

If you hang out with the Clap Your Hands and Say Hey Hey Look at Me, I'm Hip crowd then you should already know about Atlanta's Snowden. I heard about Snowden via the Musichead podcast everyone reading this should check out. Anyway, Snowden sounds like Interpol or the Cure. Check out tracks one (Like Bullets) and five (Black Eyes). Enjoy.

Uploaded by listening to Ambulance LTD cover Pink Floyd's "Fearless."

Thursday, October 12, 2006

Badly Drawn Boy - Born in the U.K.

The newest offering from Badly Drawn Boy, aka Damon Gough. I've been hooked on his lush pop sound since I came across his first album, Hour of the Bewildered Beast, in 2000 at SRI. I've only listened to this once through, but it's seems pretty good so far. The title track is pretty interesting, check out the video for it here.

The Stooges - Fun House

Proto-punk at its best. A classic.

Wednesday, October 11, 2006

TV On The Radio - Return To Cookie Mountain


Here is TVOTR new album. There are some interesting cuts with lots of guitar, fuzz, and high-energy vocals. David Bowie does some guest vocals on "Province." The song "Wolf Like Me," reminds me of the Joy Division song "Walked In Like." If you are interested, go to YouTube and look up "Wolf Like Me" on Letterman, it is a great live performance that aired in early September.

Thursday, October 05, 2006

Anthology of American Folk Music, Vol. 3: Songs


The Anthology of American Folk Music is one of the most important compilations in American music. It was assembled, sequenced, and edited by Harry Smith, a strange, self-styled anthropologist/ethnologist/experimental filmmaker/bohemian independent scholar. He was an odd figure around the intellectual beatnik scene in New York in the 50s and 60s. He had a huge, legendary collection of hillbilly and blues 78s, back when no one really thought much of those recordings. This was before those old recordings were largely ignored or thought of as backwards and unimportant. Smith is partly responsible for changing that perception by creating the Anthology, which became the central canon of American Roots Music.

I won't write a long history of the set. If you want to learn more, you can read about on the Folkways site or in the book The Weird, Old America: The World of Bob Dylan's Basement Tapes, by Greil Marcus, or check it out on Wikipedia. Suffice it to say that it sparked and inspired the Folk Revival of the 1960s and influenced all of popular music since then. It's a source of songs and lyrics of staggering beauty, brutality, and honesty.

I've uploaded Volume 3 of the set, which focuses on lyric songs (as opposed to ballads or story songs) and blues. This is the most accessible volume of the three.

If I had to choose a desert island collection, this would be it. I wouldn't even have to think about it.

Tuesday, October 03, 2006

Neutral Milk Hotel - In the Aeroplane Over the Sea

In my social circles, my loathing of indie rock is legendary. Yet I adore this album. Here's what strong, original songwriting and clear production can do for ya.

Monday, September 25, 2006

TV On The Radio-Dry Drunk Emperor


This is a free download that I found while reading up on TVOTR. "Dry Drunk Emperor" is an anti-Bush, anti-war song that was inspired by the chaotic aftermath of Hurricane Katrina. It is part southern gospel and part indie rock anthem with lots of fuzz and guitar.

Thursday, September 21, 2006

Bobby Bare Jr. - The Longest Meow

I was first introduced to Bobby Bare Jr. by P2 while he was working at Hello Booking. Part punk, part country, Bare Jr. has rocked his way out of his father's Nashville shadow. His albums are pretty good, but his live shows are amazing. The Longest Meow was a live session recorded in 11 hours with 11 artists from such bands as My Morning Jacket and Clem Snide. It's not Bare Jr's best album, but it shows his range spanning genres and devolving into a few jams. Highlights include 'The Bionic Heart' and, Pixies cover, 'Where Is My Mind.' I'm also posting my introduction to Bare Jr., Young Criminals Starvation League. Bare Jr. will be at the 400 Bar on October 19, The Longest Meow comes out September 26. Enjoy.

Tuesday, September 19, 2006

Yo La Tengo - I Am Not Afraid of You and I Will Beat Your Ass


Here is Yo La Tengo's new album. It is an eclectic mix of pop tunes, noisy rock, feeback, Velvet Underground vibes, and jazzy experimentals. Give it a listen and then google some reviews.

Sunday, September 17, 2006

Ratatat


I offer two albums, Ratatat and Classics, by the indie NY rock band Ratatat for your listening pleasure. I've always dug dance-able rock and I was disappointed to learn about these guys only after they had spun through the cities. Great for getting you through those afternoon sleepies.

Sunday, September 10, 2006

Dylan-Self Portrait


At pualio's request, I'm posting a little-known Dylan album, Self Portrait. This is probably the one that, according to his book Chronicles, he made intentionally bad in order to try to disengage from a public that was hounding him more and more to behave like a savior, the voice of a generation.

Yes, it is kind of bad. But there a handful of gems on it, including Alberta #1 & #2, The Mighty Quinn, and Gotta Travel On. But it's still kind of fascinating to hear Dylan's failed attempts at crooning Blue Moon, and (in a disaster of vocal overdubbing) Simon & Garfunkel's The Boxer. You have to hear that one to believe it.

Wednesday, September 06, 2006

School of Rock


Minnesota Public Radio's website is hosting a trivia game for the month of Sept. Each day a new question is asked and the previous days question is answered. If you answer the question correctly you are entered in a drawing for $1000.00 shopping spree to the Electric Fetus. As a bonus 'Current' DJ Mark Wheat will meet you at the Fetus and encourage you to buy Euro-trash dance music. Trivia is fun; check it out.

School of Rock

Tuesday, September 05, 2006

REV 105


As part of my extensive clean up of my office one of the things that I have been doing is putting the straggler CD's on my computer. As I was putting them on I came across the REV 105 Radio Archive. For those of you who did not live in Minneapolis in the mid 90's let me explain, or try to explain what REV was all about.

REV was a mid power radio stations serving the Twin Cities with the frequencies of 105.1, 105.3, and 105.7 (I never really figured out why there was three frequencies). REV played the kind of music that was perfect for a young college student like myself. It was the kind of station where you never knew what they where going to play next, but they never hit you with anything too far out in left field. The music the played was hip, without being condescending. The DJ's were the best, Brian Oake, Thorn, Shawn Stewart, Mary Lucia. They seemed to care about the music they played and had a seemed very genuine. It made me so desperately want to become a DJ. REV 105 was a commercial college station for all intense purposes. They would play the new "indie" artists without the hippies playing their Dead bootlegs, or John Zorn retrospectives, like so many college stations do now.

REV introduced me to so many of my favorite artists, G Love; Pavement; Frank Black; Spearhead; Ben Folds Five; and of course Soul Coughing. Just a quick note about Soul Coughing and REV. They where undoubtedly the house band of REV 105. REV 105 made Soul Coughing, in fact an alarming 40% of all of there record sales where in the Twin Cities area. That is pretty impressive from a band out of New York. It showed the power that REV had and radio in general had to push quality artist.

Something this good of course did not last. With the Bill Clinton and the Telecommunications Act of 1996, which deregulated ownership of media outlets paved the way for the eventual buy out of REV 105 by the Disney Corp. REV 105 was commercial station and the Cargill group and Carl Polad was offered a ton of money. I don't balme them, they are a business they are here to make money. I blame the Act and the lawmakers who thought it was a good idea. There is an interesting recollection here.

March 14th was a sad day, there where many people very upset at the demise of REV and a grass roots organization sprung up with the eventual goal of getting the Telecommunications ACT overturned. In essence it was really trying to get REV back on the air. The group was called Americans for Radio Diversity or ARD for short. They held fund raisers and even put out a CD, with some very familiar artists. Even the hidden track by Soul Coughing gave a shout out to REV and Shawn Stewart. The group eventually turned their focus from the Telecommunications Act to low power radio stations and other FCC type things. ARD from the looks of their website has disbanded and do no work for us hard working Americans who want true radio. Russ Feingold has seemed to take up this cause sometime last year, but I don't think it is going anywhere. Guess we have to wait until he is president.

Nearly 10 years after the Telecommunications ACT was signed the state of Radio is not good. Sure there are pockets here and there of quality stations. There is even a radio station in the Twin Cities that have the same frequencies as REV and even some of the same DJ's, but it really shallow shell of what REV used to be. Doesn't really matter that the only good station in town plays Johnny Lang and Eric Clapton on a continious loop? Do we really care that Disney and Clear Channel own most of our media. I say no. There is a new media, the internet. I have found more new music through the internet then I have ever had through radio. The internet is a place where shomes like us can share new, old , and weird stuff. It is a place where I can get Radio from Finland, Spain, and Louisiana. The state of music is fine. Yes, I will miss REV and what it was, and I would love have the station back. But am I going to write my congressmen and burn down Disney and Clear Channel, I don' t think that is necessary. Billie Joel said it best, "The good old days aren't always good, and tomorrow isn't as bad as it seems."

I have put up both Rev 105 Radio Archive, and ARD's TELEconned vol 1. for your listening enjoyment. There are some great performances on both of these discs. The REV disc is quite good, I love the Spearhead and They Might Be Giants song. Also Dylan Hicks song on the ARD disc is awesome. Enjoy

***This post updated while listening to the Cubs v Pirates***

Sunday, September 03, 2006

Deerhoof - The Runners Four (more post rock?)


I first heard Deerhoof at the Wilco concert at the Orpheum a few years back. They opened, and people mostly talked though their set or sat dumbfounded and a little annoyed. "By turns cuddly and chaotic" (allmusic.com), Deerhoof can be a little off-putting if you're not expecting what they have to offer. I was intrigued, but I didn't get an album of theirs for another year.

I bought "Reveille" on iTunes, and I was immediately hooked. Mostly instrumental, that album has to be one of my favorites. Since then I've bought most of their albums. Their latest is "The Runners Four" which I offer here. I chose that instead of my favorite because, well, it's their latest, and it's still damn good.

The lead singer, Satomi Matsuzaki, sounds a little too close to Yoko Ono for many people's comfort, but her voice is more childlike than catlike. Their music offers some great pop melodies along with experimental noise, angular guitars, and great drumming. I hope you like.

Saturday, September 02, 2006

Post-Rock: Part 2


The original Paul (or O.P.) has requested more post-rock; I am happy to oblige. This band is called Godspeed You Black Emperor! The album is called Yanqui U.X.O.

I struggled with a quick review of the album so I’ll just quote allmusic.com. “Montreal politico-art/music terrorist unit Godspeed You Black Emperor! has been working on the material for Yanqui U.X.O. (unexploded ordnance-landmines) for the past four years…. For over 75 minutes, no "found" voices are wafting through the mix like displaced ghosts at a musical inquiry into the nature of mass control and fascism.” I usually feel anxious while listening. Enjoy.

Friday, September 01, 2006

bob - pat garrett & billy the kid soundtrack

once there was a time where bob didn't have much to say, and the results were one of the odder of dylan albums. odd in that it was a soundtrack and that it was almost lyrically barren... fitting the setting of the Peckinpah western it was scored for. dylan also had a cameo role in the film, a character named Alias, a knife throwing specialist who mutters only a handlful of lines. bob fan or not, it's worth a watch... and the album is strangely addicting. enjoy.

Thursday, August 31, 2006

How They Might Be Giants changed my life

So for the past couple of months I have been reliving my junior high school days. Watching Doctor Who, wearing shorts, vests and Chuck Taylors. Remembering the days when I was the king of geeks and friend to all. Most of my junior high school was spent musically trying to break away from my earlier obsession with Huey Lewis and the News and The Nylons. And trying to sing the Choir. Anyone who has spent anytime with me knows I can't sing, nor have any musical abilities whatsoever.

I first saw TMBG on MTV's 120 Minutes. I was at Sean Lawler's house. The song was Ana Ng, from Lincoln, I was hooked. The thing that hit was the video. It was so weird. In fact so you can all see it with me here it is:



Lincoln was the first CD I actually bought with my own money. It was in Rockford at the Cherryvale Mall. I popped it in once I got home and was amazed. Two guys, guitar and according, hell I don't think I knew what an according was. Songs like Cowtown, and Kiss Me Son of God, I was truly blown away. I knew from that moment on I would not be listening to Bon Jovi or Poison. No They Might Be Giants would lead me down the road of geek rock. It really started me off on the path that I am today. In fact They Might Be Giants was my first concert (that I paid for). Which is a lot better to say now then Queensrych. I can't imagine what life would have been like for me. I can't imagine coming to college and thinking the greatest band in the world was Led Zepplin. Of course I did like Sting, but you can't blame me.

So for your listening pleasure I have put up Lincoln and They Might Be Giant's self titled debut. I recently listened to them again. They both hold up quite amazingly. Download them and listen to them. I would also be interested in if anyone has a story of a similar story of a band that changed your life. If anyone says the Shins I will find you and kill you, you Zach Braff loving bastards.

***This post updated while listening th Bitter Honey by Eef Barzelay***

Tuesday, August 29, 2006

Modern Times


Here's Dylan's new album. Just came out today.

Posted while listening to Modern Times on my record player. (Yes, I bought it on vinyl, too. I'm a little crazy that way. That's nothing, considering I have Blonde on Blonde on CD, SACD, stereo LP [reissue], mono LP [reissue], and mono LP [original first pressing].)

Monday, August 28, 2006

herbie hancock - head hunters



classic herbie circa 1973 - pushing the synth envelope. jazzy, funky, groovy... fusiony.

my favorite dish washing soundtrack of all time.

posted while watching shaolin soccer.

Bonnie 'Prince' Billy - The Letting Go

I've posted The Letting Go, Will Oldham's 9th full-length album under the moniker Bonnie 'Prince' Billy. He's recorded previously as Palace, Palace Songs, Palace Music, Palace Brothers as well as under his given name. Most recently, he released an excellent album with guitarist Matt Sweeny called Superwolf. Will Oldham talked with The Current's Mark Wheat about his new album and his recent record store tour. You can listen to the interview and performance here. The Letting Go will be available from Drag City Records on September 19.

Posted while I should've been working.

Tuesday, August 22, 2006

Ugly Casanova - Sharpen Your Teeth


This is an Isaac Brock's (Modest Mouse leader) solo project. Califone's Brian Deck and Tim Rutili help out and make it a very interesting record. It was release in May, 2002.