Sunday, August 24, 2008

Ra Ra Riot "The Rhumb Line"


I often run at the YMCA and read Rolling Stone and Spin magazines looking for reviews of new, unfound records. Last week, I read about a Syracuse, NY band called Ra Ra Riot.  The review really got my attention with this paraphrased quote, "Ra Ra Riot combine Arcade Fire's Orch Pop sound  with Vampire Weekend's pop sensibilities creating an album that is both effervescent and heartbreaking." That was enough for me to download it. Check out tracks 1, 5, & 6. 

Doomtree

After numerous solo releases and pseudo-official compilations, the Doomtree collective has released their first official full length album. Self titled, this album features the best of the Twin Cities underground punk and hip-hop scene. If you are a fan of Atmosphere or P.O.S., then check this out.

Friday, August 22, 2008

Pretty Things - Parachute

Here is another album from the late 60's early 70's. The Pretty Things, Parachute was named "Album of the Year" in 1970 by Rolling Stone Magazine. It beat out: Let it Be by the Beatles, Layla by Derek and the Dominoes, Morrison Hotel by the Doors, Pearl by Janis Joplin, After the Gold Rush by Neil Young, Moondance by Van Morrison, and Bridge over Troubled Water by Simon and Garfunkel. The melodies and guitar work are excellent. Give it a listen and tell me what you think.

Tomorrow

Tomorrow was an underrated '60s psych-pop band that was a cross between Barrett-era Floyd and the Beatles Revolver period. With quirky English characters, backwards tapes, Eastern modalities, baroque keyboard touches, and trippy british lyrics, it is vintage psychedelia. Tomorrow had some well known musicians: John Adler (The Pretty Things), Steve Howe (Yes), and Keith West. Tomorrow never really made it big. This is their one and only album.

Thursday, August 21, 2008

David Byrne and Brian Eno, Everything That Happens Will Happen Today

The new album is now posted. There is a good review on the TIMESONLINE site.

Sunday, August 10, 2008

Ben Folds Way to Normal



Ben's forthcoming album is set to be released on 9/30/08. He has been playing songs off his new album for the couple of months during his live shows. A few weeks ago a member of BenFolds.org. Said he had 9 tracks off the studio album, and was very down on the album. This is what Combing the internets this is what I have found out:
New Ben songs leaked, by somebody, maybe Ben himself. There are songs with the same names of the new songs that he played live this year, but they are different songs. There are other new songs. There are songs that aren't on the album. There are possibly real songs.

That's it. Everybody is speculating. The only truth right now is that 9 songs that are definitely Ben were leaked.


So there you have it. Other things I know is the cover art with these tracks are is not the cover art that was listed in Stereogum's recent article.

Unfortunatly the concenus between the internets fans is that the 9 songs are blotted self referential pop music that is more akin to Weezer then anything else. I have to disagree,the songs are good, not great, but very very catchy. Are these the real tracks? Are these fake tracks? Are they a mix of both? I guess we will have to wait until 9/30 to find out.

Also for you is the video for Hiroshima


On a side note Stereogum is a great place for all kinds of music news, and free mp3s. Check it out.

That is all


***************Update***********************************************

Ben admits the album is fake. He leaked it himself. Totally Awesome

Read it here in Rolling Stone

*****************end of update*************************************

Friday, August 08, 2008

Yes Fragile




In the pantheon of 70's prog rock Yes has stood the test of time. Their albums still have the great hooks of a well crafted pop song still remaining true to the essence of prog.

The band's breakthrough album, dominated by science-fiction and fantasy elements and new member Rick Wakeman, whose organ, synthesizers, Mellotrons, and other keyboard exotica added a larger-than-life element to the procedings. Ironically, the album was a patchwork job, hastily assembled in order to cover the cost of Wakeman's array of instruments. But the group built effectively on the groundwork left by The Yes Album, and the group had an AM-radio sucker-punch, aimed at all of those other progressive bands who eschewed the notion of hit singles, in the form of "Roundabout," the edited version (sort of "highlights" of the album version) of which pulled in millions of young kids who'd never heard them before. The single clicked, most album-buyers liked the long version and all of the rest of what they found, and the band was made.

That is all.