Elvis Costello - Secret, Profane and Sugarcane

Why is the best Americana release in the past 5 years by a London Punk Artist and being sold by label that is known more for its coffee then its music?  Why I don't know.  With his latest release, Secret, Profane and Sugarcane, out June 9, Elvis Costello proves he can conquer any type of music.  Really it is not a strech for international art theif Declan MacManus, he has been toying with Americana with albums like Almost Blue, Delivery Man, and Momofuku, but this album produced by T Bone Burnett is full on Americana.  This album could have been made by the Flying Burrito Brothers, or Lyle Lovette.  However know one could do what he does and he makes the music his own.  As Alice Hartzell once said he does an A+ job with a B- voice.  It is true.  

Highlights of the album are Hidden Shame, How Deep is The Red, Sulphur To Sugarcane and Complicated Shadows (a song orginally written for Johnny Cash).  

Well enjoy, and sound off below if you can figure out how Elvis became the savior of Americana

Oh and if you are so inclinded I posted the full copy of Wilco (The Album).  So that is that.  

Ben Folds Way to Normal

Ben's forthcoming album is set to be released on 9/30/08. He has been playing songs off his new album for the couple of months during his live shows. A few weeks ago a member of BenFolds.org. Said he had 9 tracks off the studio album, and was very down on the album. This is what Combing the internets this is what I have found out:

New Ben songs leaked, by somebody, maybe Ben himself. There are songs with the same names of the new songs that he played live this year, but they are different songs. There are other new songs. There are songs that aren't on the album. There are possibly real songs.

That's it. Everybody is speculating. The only truth right now is that 9 songs that are definitely Ben were leaked.

So there you have it. Other things I know is the cover art with these tracks are is not the cover art that was listed in Stereogum's recent article.

Unfortunatly the concenus between the internets fans is that the 9 songs are blotted self referential pop music that is more akin to Weezer then anything else. I have to disagree,the songs are good, not great, but very very catchy. Are these the real tracks? Are these fake tracks? Are they a mix of both? I guess we will have to wait until 9/30 to find out.

Also for you is the video for Hiroshima


On a side note Stereogum is a great place for all kinds of music news, and free mp3s. Check it out.

That is all


***************Update***********************************************

Ben admits the album is fake. He leaked it himself. Totally Awesome

Read it here in Rolling Stone

*****************end of update*************************************

She and Him Volume One

Now I don't like M. Ward. Why? I can't put my finger on it. Maybe it is the love he get from almost everyone I talk to; maybe it is his pretenious name of M. (there is only one dude who should ever be called M and that is this guy and he had the sense to realize M was a dick way of saying I am better then you); maybe it is because I got into an on-line argument about M Ward being the next Bob Dylan. Mainly I would say it is voice, it is too annoying. It is the point of this whispery smoked addled sound that breaks into this false falsetto at the end and beginning of lines. You can hear him straining to be cool. It is not.

You know I don't know who I hate more that I should love M. Ward, Colin Meloy, Sufan Stevens, or Ben Gibbard.

With that being said, he is a hell of a producer. His collaboration with actress Zooey Deschanel is down right amazing. Going by the moniker of She and Him, the record Volume One is a collection of more She then Him. Zooey writes most of the songs on the album (less a view covers and a collaboration with Max Fischer) and does a majority of the singing. M. Ward's vocal input is thankfully limited, though his voice does not grate on my nerves in his short harmonies with Zooey.

The album in a nut shell is short, beautiful, with a antique feel. This may unfortunately have a limiting effect on the shelf life of the album, but right now it is one of my favs. There isn't a bad song on the album. The single "Why Do Let Me Stay Here," is the standout. Though the Beatles cover works well too.


Well enjoy suckers.

I'm Not There Soundtrack

As both Paul and Colin can attest to I have been obsessed with Todd Haynes' Dylan biopic I'm Not There. I don't know if it is the subject matter or the pomposity of the six different actors playing Dylan (Cate Blanchett? Richard Gere, a 12 year old black kid?), but I am obsessed. This of course is not Rotten Tomatoes, so I am gonna save my review of the film itself for another place.

This is of course the place where I can wax philosophically about music, and albums. the official sound track to I'm Not There, is in essence a Bob Dylan tribute album. This albums reads like a list the most popular indie singer songwriters (Jeff Tweedy, Sufjan Stevens, Iron and Wine, Cat Power etc.) and a list of artist whom my dad might think is cool (Jack Johnson, Eddie Vedder, Richie Havens, Roger McGuinn, etc.). On any tribute album you can go one of two ways, first is to take the words/music of the orginal song and change them to fit your own personal style; or two pay homage to the song and play the song as close to the original recording as possible. This album does it both. For those artist unfortunate enough to attempt the latter the songs are in short miserable. The shining example is "Highway 61 Revisited," which sounds like Karen O decided it would be a good idea to get drunk and go down to the 400 Bar's Dylan sound like contest.

There are song great takes on Dylan songs here, I espeically like Tweedy's "Simple Twist of Fate" which treads the line perfectly between a homage and making the song his own. Sufjan takes his own brand of pomposity on "Ring them Bells" and makes it work. Also former Pavement frontman Steven Malkmus does a fine job on the two tunes he was charged to do.

It would be remissed, if I did not mention the back up band for many of the tracks, The Million Dollar Bashers. A supergroup of side men consisting of Sonic Youth stars Lee Ranaldo and Steve Shelley, Wilco guitarist Nels Cline, Television guitarist Tom Verlaine, Dylan bassist Tony Garnier, guitarist Smokey Hormel and keyboardist John Medeski. They really shine and are the highlight of the album. Execept they play on the aforementioned "Highway 61," which is pure shit.

Elliott Smith - New Moon

To say Elliott Smith was an under appreciated artist until his untimely death in 2003, is a misnomer. Smith found marginal success with albums such as Figure 8, XO, and Either/Or. Most notably he found true recognition with Miss Misery, the Oscar nominated song from Good Will Hunting. His genius as a musician and a song writer had been widely acclaimed by many in the business. Smith life is truly a strange one. For an interesting read check out Smith's wiki page. Because I would much rather have you read something that can be edited by anyone, rather then my insane ramblings.

It was however his suicide on October 21st, 2003 that really brought him to my attention. His self vocalizing, dark haunting lyrics really hit me. Though I knew about him before his death, but it was the mystery around his death that made me listen to his music. The first album I got was the one finished after his death, From A Basement on A Hill. Probably not the album Elliott would have finished, but a good indication of his style. From that point on I made it my mission to get everything from Elliott that I could get my hands on.

Kill Rock Stars Records will be releasing New Moon. A collection of 24 songs recorded between 1994-1997, the most prolific in Smith's career, which saw the Kill Rock Star Elliott's Self Titled and Either/Or releases. Like many demo and out take albums this has some very familiar songs. However what is great about this is that the audio quality is much better then most of the demo albums floating out there. And the producers made the double album flow like a true Elliott Smith album.

If you are not an Elliott Smith fan, or do not know much about his music, New Moon is probably not the best place to start. For those of you know Elliott's music New Moon is a great listen and really brings his music full circle.

For my next post I will take a vote. Should I post:

1. Traveling Wilbury's - Vols. 1 through 4
   
2. Fountains of Wayne - Traffic and Weather
   
3. Eef Barzely - Bitter Honey
   
4. Ben Folds - 1990 Demos
   

Let me know in the comments and I will post the album in about a week or so, of course with my clever insight and choppy prose.

****This post updated while listening to Rain Delay Theatre on WGN Radio****