
A fellow Wisconsinite slid this on my desk the other day. Worth a listen--a bit bluesy and reminiscent of Elivs Costello (thanks, Kyle). They come around every now and again and their live shows are supposed to be worth the cover. Enjoy.


Here is the score for Pan's Labyrinth, the latest film written and directed by Mexican film-maker Guillermo del Toro. Set in postwar repression during the fascist regime in Spain in 1944, a young girl named Ofelia, living with her pregnant mom and adoptive father (a tyrant), creates a dream world filled with fantastic fairy tale creatures. The composer, Javier Navarrete built the score around a simple lullaby tune. Navarette and the score was nominated for an Academy Award. The movie won Academy Awards for art direction, best cinematography, and best makeup. It also won numerous international awards. It is coming out on DVD May 15.


You may recognize Leslie Feist as the female vocals on the last Kings of Convience album, Riot On An Empty Street. She is also a contributor to Canadian post-rock including Broken Social Scene and Apostle of Hustle. Sometimes delicate, sometimes boisterous, The Reminder is a fantastic album that shows of Leslie's many talents. My favorite tracks so far include My Man My Moon, Sea Lion Woman, Brandy Alexander, and How My Heart Behaves. Enjoy.
It hadn't even made it into the scurvy hands of internet pirates when Wilco streamed their newest album, Sky Blue Sky, on their website this past Saturday evening. Of course, it didn't take long for files to start circulating after that. But maybe that was the point, beat the pirates at their own game and control the buzz. The stream is down now, but you can download a track from the album at wilcoworld.net. Lucky for you, I've posted the complete album for your previewing pleasure. It's a good album and I've got some opinions about it which I'll share another time. But for now, my favorite tracks include Either Way, Sky Blue Sky, Walken, and What Light. Give it a listen and share your opinions here. Enjoy.
I'm not sure that you could rightfully call this band Son Volt since Jay Farrar is the only remaining original member. None the less, the biological father of Alternative Country has created another album to remind us all that the genre is not yet dead no matter how hard Jeff Tweedy tries to kill it. I haven't given this one much of a listen yet, but my earlier impression is that it is good, but not great. I really enjoyed their last album, Okemah and the Melody of Riot, and it took me a while to come around to it. So, I'll give this one a chance. Enjoy.