
Kevin posted the album.

These guys can easily be described as reggae-rock, but don't write them off as a one note act. There's a lot of variety and strong song-writing on this album. I bought this kind of on a whim, and I'm glad I did. It doesn't sound like most of the indie rock I've been into lately, and it's nice to break out of the mold once in a while.


Nine tracks featuring two highly sought after b-sides and seven new and previously unreleased songs including “Philistine David”, which was featured in the Jonathan Demme directed documentary, Jimmy Carter Man From Plains and “The Believer” a collaboration with Slug of Atmosphere...
...The Truth Is Here captures a key period in the career of what many have called one of the most promising voices to emerge from the underground this century and will be a must have for any and every Brother Ali fan.

"P.O.S returns with Never Better, the follow up to 2006's critically acclaimed Audition. Written mostly in a moving car, P.O.S raps at full clip to ride rolling drums and revving distortion. There's an urgency that he keeps in careful check, and then unleashes for spring-loaded verses that represent his best work. Never Better enters a room like bombshell with a black eye, badass, noisy, and impossible to ignore. With an unlikely punk rock past and an ever growing loyal hip hop fan base, P.O.S proves he is a rapper with range, a real musician and an unstoppable performer."Stef's third full-length album, Never Better, hits harder than anything else you're likely to hear this year. I'm a big fan of his first two albums and most of what I've heard from the Doomtree collective, but this album takes it all up a notch. To be honest, it took me a couple of listens to warm up to Never Better. It's more abrasive than most of the hip-hop I'm used to. But now that I'm hooked, I can't stop listening. There are so many layers to discover in this DIY hip-hop/punk genre blending album. Best listened to live, but a close second is while driving your car 50 MPH at night down Lyndale with your lights off. So, check out the album and be sure to check out the artwork. Amazing.






I haven't really listened to it yet, but thought you all would interested in it.
That's the big news; now here's the story:
As anyone keeping a watchful eye on me has noticed, October came and went without the release of "Kicking at the Perfumed Air." The reason for this: In the final stages of completing "Kicking at the Perfumed Air," at Pieholden Suite Sound (http://www.myspace.com/pieholdenstudios), I was simultaneously working on a very personal and concise 10-song album called "Whatever Happened I Apologize." After debating back and forth, I have decided to release "Apologize" first. I am somewhat at a loss for words as to explain why I arrived at this decision, save to say it's just one of those lonely and private choices one sometimes has to make in other words, it just felt more like the right album for the time.
It is stark, stripped down, and acoustic based more so than any other record I have made. I really wanted to capture the simpler and more emotional nature of the songwriting, and I knew that the only way I could do this was to put it together quickly, with no second-guessing, and no heavy deliberating about minor details. Consequently I would have to learn to embrace the resultant imperfections and I have. All of the vocals are done live to my own acoustic guitar accompaniment, so it has some warts, but, in my effort to not forsake integrity for technical perfection, the album ended up feeling more honest, immediate, naked, and cohesive to me. I am very proud of presenting myself without my typical voluminous bells and whistles. I am left wondering why I haven't done this more often in the past.
As I've really wanted to help out my studio partner, Matt DeWine, and his partner Casey Meehan, with their new download record label, rockproper, that's just where you can find this new album: http://www.rockproper.com. Again, it's called "Whatever Happened I Apologize," and did I mention it's free? I hope you enjoy it. Please let me know what you think. I would also like to encourage you all to check out some of the other free downloads, by some of the great artists, available on the site.
Love,
Jay
http://www.myspace.com/jaybennett






Nada Surf enjoyed a buzz-bin moment in 1996 with the high school satire "Popular," and while the extremely groovy guitar ripples stuck in your head long after the joke was over, it wasn't the kind of hit that suggests a long-term career, as Harvey Danger or the Primitive Radio Gods would be happy to explain to you. So the New York guitar-rock trio hit the indie trail to earn its cred the hard way, and after the Weezer-like introspection of 2000's startlingly great The Proximity Effect, Nada Surf get it all together on Let Go, the band's best by a mile. Let Go is an excellent rainy-afternoon album, full of gentle and melancholic beauty, with echoes of Love and the Beach Boys. In "Blizzard of '77," "Blonde on Blonde" and "The Way You Wear Your Head," Nada Surf show enough smarts and panache to leave most of their Nineties-rock peers eating hot dust.


Here is another album from the late 60's early 70's. The Pretty Things, Parachute was named "Album of the Year" in 1970 by Rolling Stone Magazine. It beat out: Let it Be by the Beatles, Layla by Derek and the Dominoes, Morrison Hotel by the Doors, Pearl by Janis Joplin, After the Gold Rush by Neil Young, Moondance by Van Morrison, and Bridge over Troubled Water by Simon and Garfunkel. The melodies and guitar work are excellent. Give it a listen and tell me what you think.
Tomorrow was an underrated '60s psych-pop band that was a cross between Barrett-era Floyd and the Beatles Revolver period. With quirky English characters, backwards tapes, Eastern modalities, baroque keyboard touches, and trippy british lyrics, it is vintage psychedelia. Tomorrow had some well known musicians: John Adler (The Pretty Things), Steve Howe (Yes), and Keith West. Tomorrow never really made it big. This is their one and only album.

New Ben songs leaked, by somebody, maybe Ben himself. There are songs with the same names of the new songs that he played live this year, but they are different songs. There are other new songs. There are songs that aren't on the album. There are possibly real songs.
That's it. Everybody is speculating. The only truth right now is that 9 songs that are definitely Ben were leaked.


the Brits have done it again. the Coleen single got my attention with it's 70s soul funk throwback sound (curtis mayfield mostly comes to mind)... and dare i say it, the infectious grooves wouldn't leave me alone (ok said it). I was pleasantly surprised to find the album didn't disappoint. i give you... the heavy.





Also, the cover artwork is done by the ever-talented Jay Ryan (if you have ever been to my house, you may recognize a few of his pieces). Brilliant in his own right.
The Bird Machine
