Thursday, February 15, 2007

Pulp: Peel Sessions






I love Pulp.
I love Jarvis Cocker.
I hope you do too!!
Peel Sessions combines songs from all of the seminal Pulp releases, from 2004's highly underrated We Love Life, to the classics, This Is Hardcore, Different Class and His and Hers, all the way back to the early days of It, Freaks and Separations.

Jarvis is the lead singer of Pulp, and gives us his first solo album. It came out in November in the UK, should hit the states in March. Those lucky few going to Coachella will get a glimpse of this modern genious. Yeah, I said it. There is a secret song after a long pause on the final track, which was passed around the web a while back. It is called Cunts Are Still Running The World, and was written exactly one year after the big flop that was Live 8.

Wednesday, February 07, 2007

1983, Bitches!

I've got little else to say except that She's So Unusual came out in 1983, and if you were around then, you rocked out to it (because it was turbo-ubiquitous - even lil' ol' me in bumbletruck, Minnesota had it on cassette), and then probably engaged in what became two decades of backlash against Cyndi Lauper.

But go back in time, and take a listen with fresh ears. This album rocks out in a way that only a one-shot pop album can. Loaded with singles, and sporting remarkably light early-80s synth production (synthesizers have never sounded so great on a record as here, paired with Cyndi Lauper's strong, bouncy voice), this is a triumph. This release includes three live tracks that don't really add much, but there they are.

Anyway, enjoy the trip down memory lane if you were there. If you weren't, well, here is a hell of a time capsule.

Andrew Bird is Dr. Stringz



It is unfortunate that this is not on Armchair Apocrypha

Tuesday, February 06, 2007

Murs 3:16: The 9th Edition


A little throwback for all ya playa haters, well, thrown back to 2004.

Murs, a founding member of Living Legends out of California who claims to be "More Coldplay than Ice T", and 9th Wonder, a producer from Little Brother out of North Carolina, formed to make this instant classic. They continued to work together on 2006's excellent Murray's Revenge (on both Kyle and My best of the year lists)

Part of the whole indie or underground rap scene, the album is just plain excellent. The production taps into a little of everything, focusing on R&B, straight beats, and jiggling hooks. Murs lays down sick vocals and rhymes that are straight up ghetto but has all the emotion and relevance that this genre of hip hop is best known for.

A 45 minute film based off of this album was made by Murs and some friends and released late 2005 as a deluxe edition. Have not seen it but would love to. Anyone???

Apostle of Hustle-National Anthem of Nowhere


The new album from Broken Social Scene's Andrew Whiteman.

This is Ap0stle of Hustle's second disc, after 2004's Folkloric Feel.

A great sound similar to BSS, indie folk experimental or whatever the fuck you want to call it.

Another excellent album from our good neighbors to the north, Canada! Reminds me of a good joke...eh!

From their press release:
'National Anthem of Nowhere’ is for everyone who feels that they have no voice or can’t be heard. They hear this title and something stirs inside them. Then they hear this song and they feel that they “know” it. They meet strangers in nowhere places and will never forget those meetings. They wander out into the suburban, in-between zones and there they are welcomed.

Wednesday, January 31, 2007

blues boy and pre string spaghetti


i know. long time, no post. my apologies.

two things i'd like to share in attempts to get back into your collective good graces: 1) a fantastic live recording of bb (blues boy) king and his band circa 1965. bb and lucille swing, the band jumps and the audience wails. 2) spaghetti western's debut, before they added string co. to the name... my latest impulse purchase. not as musically strong as the quiet mob EP, but worth a listen or two.

p.s. thanks for the great postings and tunes. 700 hobo names and neon bibles - you just can't beat this shit with a stick.

Tuesday, January 30, 2007

Arcade Fire - Neon Bible

I'm not sure I could think of a worse album title if I tried. Fortunately, Neon Bible is not as lame as it's title. It hasn't blown me away yet and is honestly a bit of a disappointment when compared to their debut album, Funeral. But it's still a good album except for a few throw away tracks. My favorites include "Intervention" and "No Cars Go." Enjoy.

Monday, January 29, 2007

Martin Dosh: Pure Trash

Though Dosh has been sharing the stage recently with Andrew Bird, he also performs wonderfully well alone. His solo performances are always a treat, and to watch him work up close (as I got a chance to do recently at a gallery opening), is fantastic. He completely ignores the crowd and simply experiments with his various instruments, throwing (sometimes literally) sounds together which you hear a moment later, integrated seamlessly. This isn't music to hum along with. Ladies and Gentlemen, I give you Minneapolis's own Martin Dosh.

LCD Soundsystem-Sound of Silver


Following up the leak's, I bring you the fabulous new release from LCD SOUNDSYSTEM- Sound of Silver.


As Kyle put it, "indie hipster electronic crap", this album is a hybrid of sorts, a la RJD2 or Junior Boys.


Made famous by their remixes and original songs under the DFA Label, James Murphy has created a unique sound. Everything culminated with 2005's "Daft Punk Is Playing At My House." My house.


Sunday, January 28, 2007

Andrew Bird - Armchair Apocrypha

Armchair Apocrypha is the follow-up album to Mr. Bird's amazing 2005 release, The Mysterious Production of Eggs. Recorded mostly in Minneapolis, Andrew enlisted the help of a few local musicians including Haley Bonar and touring partner, Martin Dosh. You can hear Dosh's influence throughout the album and specifically on the song "Static X" to which he wrote the music. Haley sings backing vocals on several tracks, most notably "Spare-Ohs." If you've seen Andrew Bird in the past year or so, there is a good chance you've heard several of these songs already. We have been lucky here in the Twin Cities that Andrew has played several shows locally while recording his newest album here. Andrew has a knack for tinkering with his sound during shows and his songs live usually never sound the same twice. So, even though these songs are familiar, there are some welcome surprises. It may be Dosh's influence, but this album seems more focused on electronics and drums than the acoustic sounds of The Mysterious Production of Eggs, it's nice to see a musician as talented as Andrew Bird push his sound even further. Armchair Apocrypha will be released March 20 on Fat Possum Records. Enjoy.

The PC is cooler then the Mac



I recently heard an interview with John Hodgman on NPR this weekend. He was promoting his new book Areas of My Expertise. You may recognize his name from his apperances on The Daily Show and This American Life. I had never but it together before but after looking him up on his website areasofmyexpertise.com, I did not not put two and two together and realize who he actually is. John Hodgman is PC, from those cleaver and often copied Mac ads staring Die Hard 4's, Justin Long. Justin Long is a realtive bore of an actor and often seen as the poor man's Zach Braff. But this is not about Justin nor Braff it is about the subline wackiness that is Mr. Hodgman.

Really take the time to explore his site. There is some great stuff on there. Apparently John has an unatural facination with Hobos, as we all do I am sure. I have posted on the iDisk John Hogman reading 700 different Hobo names. It sounds exactly what you would think. PC reading Hobo names like, "Cricket Eating Charlie Digs" and "Professor Challenger" while John Coulton playes guitar. It goes on for nearly an hour. The cool thing about it is that it was all done in one take. Yes I know it is weird but really take the time and listen to it, maybe not in all one sitting but listen. It is funny, extremely funny.

Enjoy

***uploaded while listening to John Hodgman and John COulton read 700 Hobo names***

Wednesday, January 24, 2007

Joanna Newsome

For the last couple of weeks we have been listing to David Byrne's January play list Welcome to Dreamland . The playlist consist of artists that fall under the freak folk rock category. Their roots are in ’60s psychedelia, ’90s jam bands, electronica, and a number of world music traditions. One artist that caught my interest is Joanna Newsome. I am posting both of her albums: Ys released in Nov. 06 and The Milk-Eyed Mender released in 2004. Newsome is an accomplished classical harpist that sings/tells stories (her pitch and phrasing may seem unusual or hard to take at times). Sometimes she sounds like Bjork. Either you like the vocals or you don't, it is definitely an acquired taste. The final mixing for her new album Ys was done by Jim O'Rourke.

Monday, January 22, 2007

Tom Waits "Orphans"


I going to assume you're aware of Tom Waits. If you like him, then dowload this. If you don't like him, then please ignore. This is the new 3 disc box set from Tom Waits. The box set is called "Orphans." Each disc is organized in of the 3 styles of Mr. Waits. "Bastards" is a collection of spoken word/weirdo music. "Bawlars" is a collection of sad songs. "Brawlars" are the types of songs that appear on the Fight Club Soundtrack or on a Ramones tribute album. Enjoy.

Saturday, January 20, 2007

Jeff Tweedy - Sunken Treasure

Songs from the DVD Sunken Treasure: Live in the Pacific Northwest uploaded for Chris and anyone else that may be anticipating the upcoming release of Sky Blue Sky.

Clap Your Hands Say Yeah - Some Loud Thunder

Probably one of the most anticipated sophomore albums of 2007 next to Arcade Fire's forthcoming Neon Bible. Don't worry, Alec Ounsworth's voice is still annoying as hell and they sound like a band that is about to explode at any moment. But they've matured musically and have made anything but a safe follow-up to their 2005 self-titled independent release. What sets Some Loud Thunder apart is the production, at some points garbled and muddy, at other points crisp and poppy. In fact, the opening track is so unlistenable, CYHSY will probably loose as many fans with this album as they'll gain. Enjoy.

Wednesday, January 17, 2007

Brother Ali - The Undisputed Truth

Since appearing on Non-Prophets "Doomage" in 2004 with the line "Must not discuss divorce with the case still pending, but I got some shit to tell you on my next record," The Undisputed Truth has been one of the most anticipated of upcoming hip-hop albums. Originally set to be released in early 2006, Brother Ali's latest effort has been pushed back to March 2007. I offer to you the "Clean Advance" version of The Undisputed Truth. Unfortunately, this means that all the naughty words have been scratched out and you are reminded every minute or so that "this is a pre-advance copy." Fortunately, this means you have a chance to preview this album and pre-order it before it drops.

Brother Ali joins forces once again with Rhymesayers super-producer, Ant. The beats are tight and musical like you'd expect, the flow is smooth and positive in a way that only Ali can spit. But there is something noticeably different about this record compared to Ali's previous efforts. His lyrics have always been extremely personal, but this album quickly becomes a confessional and appears to be as much therapy as it is entertainment. Since releasing Champion in 2004, Ali has apparently lost his mother to cancer, gone through a divorce, and a subsequent custody battle. Normally, that type of personal struggle may be better left unmentioned, instead he makes it the forefront of his storytelling. Brother Ali's rise from the ashes is the theme of The Undisputed Truth. Unfortunately, the record suffers a bit from all this truth. Ali forgets the listener in favor of dealing with his personal ghosts. The Undisputed Truth doesn't have the urgency of Shadows on the Sun or Champion, but it is an important step for one of underground hip-hop's rising stars.

Enjoy.

Friday, January 12, 2007

Heartless Bastards: All This Time



Heartless Bastards, a recent LaLa acquisition covertly selected by my sly girlfriend, feels like an amped up version of Cat Power minus the with less piano and histrionics. "Into the Open" and "Searching for the Ghost" get the album rolling and the rest of it doesn't disappoint.

Tuesday, January 09, 2007

Mos Def-True Magic


So apparently this was recalled today by Geffen. Pitchfork talked about it. The CD came in a clear plastic case with no artwork or liner notes. It was pretty cheap. According to the article, they are going to rerelease the album in the spring with a different tracklist and actually promote the thing, as opposed to what they did this time by releasing it on the last Friday of the year and making it hard to find.

I actually quite like the album. It is more Black on Both Sides than the Black Jack Johnson punk/rock/hip hop of The New Danger. There are a few songs where he mumbles some of his def poetry shit however.

Either way, decide for yourself.

Monday, January 08, 2007

Paleo – Carpet Samples from The Song Diary

Some notes:

Paleo is David Strackany.

Is originally from Illinois.

Went to college in Iowa.

May or may not have run an art gallery.

Is currently writing one song a day for every day of one year –(that's 365 for you folks in LA).


He's touring and recording a song a day and posting them to his website as part of his "Song Diary" project. I just saw this guy perform last night at Big V's and got a copy of this and his first record Misery, Missouri. He plays this toy acoustic guitar and he reminded me of a younger, thinner version of Tiny Tim. It was cooler than it sounds and the more songs I hear, the more I like it. Check out his website (paleo.ws) for the rest of the Song Diary, including yesterday's song "Sunday Prayer XXXIX". If I wasn't out so late last night, I would be catching his show tonight at the 331 Club (I guess I'll just have to wait for the mp3).

Monday, January 01, 2007

Gyrofrypepsi

So, here's this thing.

As far as I can tell, Selda Bagcan is like the Ethel Merman of Turkey. Or maybe the Judy Garland, or Lesley Gore. Maybe she's closer to the Grace Slick of Turkey, or maybe, just maybe, I don't know what the hell I'm talking about. It's possible there is no American analog to this woman with the throaty, emotional voice.

All I know are these facts:

  1. I got this album last Thursday night

  2. This album is filled with chunky Turkish psych-rock breaks

  3. Listening to this album makes me feel like I'm drunk, it's 3am, and I'm waiting in line for gyros and fries at the Parthenon, State St.


It might be a little far-out for some of you indie kids, but as Abba said (and they were foreigners too) Take A Chance!