Not so much a political concept album as the title might suggest. It's more of a relationship/break-up album. Produced by 9th Wonder, it's not the best album Murs has put out but it's got some killer tracks. My favorite by far is track 4, The Science. If you only listen to one song from this album, listen to that one. Enjoy.
I haven't listened to this enough to give you guys any fully thought-out opinions. I'll just say that I like The Killers first two albums, and so far, I like this one too. It seems to be a bit more of a departure for them, throwing in some new elements you haven't heard from them before (jazz?) while retaining their signature sound. Tommy likey.
As anyone keeping a watchful eye on me has noticed, October came and went without the release of "Kicking at the Perfumed Air." The reason for this: In the final stages of completing "Kicking at the Perfumed Air," at Pieholden Suite Sound (http://www.myspace.com/pieholdenstudios), I was simultaneously working on a very personal and concise 10-song album called "Whatever Happened I Apologize." After debating back and forth, I have decided to release "Apologize" first. I am somewhat at a loss for words as to explain why I arrived at this decision, save to say it's just one of those lonely and private choices one sometimes has to make in other words, it just felt more like the right album for the time.
It is stark, stripped down, and acoustic based more so than any other record I have made. I really wanted to capture the simpler and more emotional nature of the songwriting, and I knew that the only way I could do this was to put it together quickly, with no second-guessing, and no heavy deliberating about minor details. Consequently I would have to learn to embrace the resultant imperfections and I have. All of the vocals are done live to my own acoustic guitar accompaniment, so it has some warts, but, in my effort to not forsake integrity for technical perfection, the album ended up feeling more honest, immediate, naked, and cohesive to me. I am very proud of presenting myself without my typical voluminous bells and whistles. I am left wondering why I haven't done this more often in the past.
As I've really wanted to help out my studio partner, Matt DeWine, and his partner Casey Meehan, with their new download record label, rockproper, that's just where you can find this new album: http://www.rockproper.com. Again, it's called "Whatever Happened I Apologize," and did I mention it's free? I hope you enjoy it. Please let me know what you think. I would also like to encourage you all to check out some of the other free downloads, by some of the great artists, available on the site.
I have been thinking about things to post for awhile now, but haven't yet, so here a down and dirty post o'rama. Following are the album covers and thought in Haiku form.
Blitzen Trapper - Furr Blitzen Trapper Rock Best Album of year, suckers more focused then last
Aimee Mann - @#%&*! Smilers Mann returns to form Elvis Costello on one track songs 'bout middle age
Ben Folds Five - The Complete Sessions at West 54th Ben Folds looks so young DVD of cool PBS show Before Jesse got fat
Ryan Adams - Cardinology Adams likes The Dead Cardinals best band today Song Writing o.k.
Jenny Lewis - Acid Tongue Expecting more, please Songs leave me flat, where is Twins Will give another shot
I don't know a lot about Her Space Holiday other than I like their previous record, The Past Presents The Future. So, I bought their newest album. It's great. I hope you like it too. Enjoy.
It's been only in the last 6 or so years that I've really enjoyed my Bob Dylan. I remember when Peterson showed up to Governors praising him. I'm in now, and I think the last three albums have been some of his best work. So I was excited to hear about this double album, a series of outtakes, live performances, and b-sides spanning the last fifteen years. To me, it's worth it just for the two alternate versions of "Mississippi." Enjoy. I'll be seeing him on Nov. 4th at Northrop Auditorium, and I'm expecting it to be a worthy distraction from a day of politics.
Until recently, if someone asked me about Nada Surf, I would've replied, "you mean that one-hit-wonder? Didn't they do that song Popular? Yeah, I remember when that song was big, I was in high school. Wait...they're still making music?" Why yes, yes they are. And it's good music too...imagine that! This album from 2003 is a wonderful little slice of indie-pop pie. Take a sec to read the Rolling Stone review, which encapsulates it nicely:
Nada Surf enjoyed a buzz-bin moment in 1996 with the high school satire "Popular," and while the extremely groovy guitar ripples stuck in your head long after the joke was over, it wasn't the kind of hit that suggests a long-term career, as Harvey Danger or the Primitive Radio Gods would be happy to explain to you. So the New York guitar-rock trio hit the indie trail to earn its cred the hard way, and after the Weezer-like introspection of 2000's startlingly great The Proximity Effect, Nada Surf get it all together on Let Go, the band's best by a mile. Let Go is an excellent rainy-afternoon album, full of gentle and melancholic beauty, with echoes of Love and the Beach Boys. In "Blizzard of '77," "Blonde on Blonde" and "The Way You Wear Your Head," Nada Surf show enough smarts and panache to leave most of their Nineties-rock peers eating hot dust.
i had a short term fascination with Jerry a few years back... so this news got to me a bit. and since my record player is temporarily out of service, i found myself trying to dig up digital versions of the songs i've only ever heard on scratched and poppy vinyl. although i'll admit that stylistically JR laid down more than his fair share of questionable material, as a guitar man his chops are bordering on unbelievable. and when you combine his fretwork with his down-home Southern boy persona and that voice, he is in rare company. but still few seem to know of him beyond a few hit songs from the early 70s or his cameo roles in the Smoky and the Bandit movies. so i thought i'd take this opportunity to honor the memory of JR by sharing five tracks that I feel well represent him and his guitar.
I often run at the YMCA and read Rolling Stone and Spin magazines looking for reviews of new, unfound records. Last week, I read about a Syracuse, NY band called Ra Ra Riot. The review really got my attention with this paraphrased quote, "Ra Ra Riot combine Arcade Fire's Orch Pop sound with Vampire Weekend's pop sensibilities creating an album that is both effervescent and heartbreaking." That was enough for me to download it. Check out tracks 1, 5, & 6.
After numerous solo releases and pseudo-official compilations, the Doomtree collective has released their first official full length album. Self titled, this album features the best of the Twin Cities underground punk and hip-hop scene. If you are a fan of Atmosphere or P.O.S., then check this out.
Here is another album from the late 60's early 70's. The Pretty Things, Parachute was named "Album of the Year" in 1970 by Rolling Stone Magazine. It beat out: Let it Be by the Beatles, Layla by Derek and the Dominoes, Morrison Hotel by the Doors, Pearl by Janis Joplin, After the Gold Rush by Neil Young, Moondance by Van Morrison, and Bridge over Troubled Water by Simon and Garfunkel. The melodies and guitar work are excellent. Give it a listen and tell me what you think.
Tomorrow was an underrated '60s psych-pop band that was a cross between Barrett-era Floyd and the Beatles Revolver period. With quirky English characters, backwards tapes, Eastern modalities, baroque keyboard touches, and trippy british lyrics, it is vintage psychedelia. Tomorrow had some well known musicians: John Adler (The Pretty Things), Steve Howe (Yes), and Keith West. Tomorrow never really made it big. This is their one and only album.
Ben's forthcoming album is set to be released on 9/30/08. He has been playing songs off his new album for the couple of months during his live shows. A few weeks ago a member of BenFolds.org. Said he had 9 tracks off the studio album, and was very down on the album. This is what Combing the internets this is what I have found out:
New Ben songs leaked, by somebody, maybe Ben himself. There are songs with the same names of the new songs that he played live this year, but they are different songs. There are other new songs. There are songs that aren't on the album. There are possibly real songs.
That's it. Everybody is speculating. The only truth right now is that 9 songs that are definitely Ben were leaked.
So there you have it. Other things I know is the cover art with these tracks are is not the cover art that was listed in Stereogum's recent article.
Unfortunatly the concenus between the internets fans is that the 9 songs are blotted self referential pop music that is more akin to Weezer then anything else. I have to disagree,the songs are good, not great, but very very catchy. Are these the real tracks? Are these fake tracks? Are they a mix of both? I guess we will have to wait until 9/30 to find out.
Also for you is the video for Hiroshima
On a side note Stereogum is a great place for all kinds of music news, and free mp3s. Check it out.
In the pantheon of 70's prog rock Yes has stood the test of time. Their albums still have the great hooks of a well crafted pop song still remaining true to the essence of prog.
The band's breakthrough album, dominated by science-fiction and fantasy elements and new member Rick Wakeman, whose organ, synthesizers, Mellotrons, and other keyboard exotica added a larger-than-life element to the procedings. Ironically, the album was a patchwork job, hastily assembled in order to cover the cost of Wakeman's array of instruments. But the group built effectively on the groundwork left by The Yes Album, and the group had an AM-radio sucker-punch, aimed at all of those other progressive bands who eschewed the notion of hit singles, in the form of "Roundabout," the edited version (sort of "highlights" of the album version) of which pulled in millions of young kids who'd never heard them before. The single clicked, most album-buyers liked the long version and all of the rest of what they found, and the band was made.